![]() There is no trace of bitterness in Goldfrapp’s voice when she says this. For me, that meant when I finished being on tour, in order to write a load of new material, I went back in the studio with Will. So that meant all of my time was Goldfrapp, and because he didn’t tour with me, Will was always doing other projects and things when I was out on the road. “You made an album, and then you went on tour, and then you went back in the studio and made another album, and then went on tour and so on. “Whenever we recorded a new Goldfrapp album, Will and I have always done it in a slightly old-fashioned way,” she says. Goldfrapp also attributes the fact that the idea of an album like ‘The Love Invention’ sat on the shelf for so long was because of a lack of time. “Both Will and I have certain skillsets that lend themselves to particular things and because of that, in order to do certain other things, other people need to be involved.” “We actually had several attempts at one point to make this type of album, but being in a duo is always about compromise,” says Goldfrapp, the solo artist. The strings on their debut, 2000’s ‘Felt Mountain’, were deeply reverential to classic 1970s disco and they covered Baccara’s ‘Yes Sir’ for the B-side of ‘Twist’, but the closest they got to an all-out rhythm-based collection was ‘Head First’, a 2010 album that featured some of the most resolutely high-energy songs they’d written by that point – proof, if needed, that they could turn their hands to any style they wanted. Yet for all the diverse territory they effortlessly occupied, they never made an album as unashamedly euphoric as ‘The Love Invention’. Each album felt like a reaction to the one that preceded it, yet each one was identifiably, uniquely, undeniably, wonderfully Goldfrapp in its sound. Trying to define their style was an elusive, endlessly surprising exercise, and just as you thought you had them pinned down, they’d return with a vastly different sound. ![]() Across seven albums, their focus was broad, moving effortlessly between widescreen, textural beauty through to moments of wild, electro-glam extravagance, as well as most points in between. Below is a video tutorial describing the process of building a live list with ratings and genres as a rule.Although Goldfrapp – the duo – were no strangers to upbeat, dancefloor-ready tracks, they never made a whole album of such material. We can create live lists based on rules, genres and more. Select the 'Sort by' option to be 'Date Added' - Next.Make the 'Limited By' option to be 'Most Recently Added' - Next.Create the rule to be 'Play count' 'is greater' '-1' (Rule Required) - Save.To recreate your recently added playlist: Select the appropriate subject you want to create.Select the Playlist tab - Create New Live List.Open Live-List FAQ's Recreating Recently Added live list Building ratings based live lists To create a live list in Rocket Music Player try using the following tutorial. ![]() To edit the items in a live list playlist, copy the live list to a normal playlist. Live lists are unable to be edited like other playlists because the rules and criteria dictates what is populated in the playlist. Finally, lists are limited based on number of desired songs and sort criteria. Live lists start with a subject like artists, date-added, or rating, then contains a verb for rules such as: contains, is, is greater and many more. Live lists change based on its rules, similar to iTunes's smart playlists. Live lists are a powerful way to create unique playlists in Rocket Player.
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